I believe one of the
aims of art is to disturb, to
stop people in their tracks long enough to laugh or get pissed
or try on another point of view. I am very much drawn to the wisdom
of the outsider character, who has an idea of what the standard
rules are, but who chooses to take them with a salt lick.
I'm interested in riding the line
between the sacred and the profane, in erasing the artifice of
mindspiritbody division. Much of my writing offers sex, but in
a distinctly non-erotic way, because sex is rarely "just
sex"--it is frequently about power, longing, comfort, relationship.
While I recognize a broad spectrum of sexualities and relationships,
the comparison/contrast of conscious sadomasochism (among leatherfolk,
for instance) with the psychotic subconscious roles played out
by so-called "normal" people is of great fascination
to me in particular.
When I entered the Chicago Eagle
(a leather bar) in the mid-1990s, it was a kind of homecoming--a
quarter of the world that made sense to me in a way that Methodist
church and Catholic high school and dysfunctional family never
did. The notion of consent pervaded everything and I became interested
in what we consent to on a daily basis, without ever realizing
there are alternatives.
I've additional
stories published or forthcoming in many journals, including:
Susurrus
CafeIrreal.com
OutsiderInk.com
(Artist Spotlight)
Zahir: Unforgettable
Tales
The2ndHand.com
Gertrude
Sleepwalk
Mobius
Dyversity
(UK)
International
Drummer
Bad Attitude
My poetry,
articles, and essays have appeared in The Windy City Times
Pride Literary Supplement, PoeticVoices.com, Sandmutopia
Guardian, and the Third Side Press anthology, The Woman-Centered
Economy.
I am a Certified
Story Workshop(R) Director and a former Artist-in-Residence
at Columbia College. (View
CV.) I'm delighted to be a storyteller with 2nd
Story.
My other interests include
painting, sculpting, music, ritual, the Scene,
crow-watching, mythology,
and folklore. You might also call me a crackpot.